Week One August 27-30
August 27, 2019
·
What
concerns do you have as you begin this journey as a student teacher?
o
Having
multiple classes and keeping track of each student as an individual. I want to create genuine relationships with
each child and that can be difficult in classes of 25 students and seeing 6-8
classes altogether.
·
What
skills did you learn from your cooperating teacher?
o
Dr. Armstrong is incredible at setting up the classroom, creating provocations, and beginning
and closing a lesson with conversation. She creates genuine and unique relationships with each student, teacher, and classroom. She bases her art lessons and projects off of what her students are interested in and connects her art projects with other classroom subjects to create interdisciplinary connections.
·
What
challenges did you have? How did you address them?
o
When
working with the third graders in the natural environment making clay structures
for the woodland creatures, we should have set the classroom up so that each
clay wood block was on the table one next to another so that the students were
forced to be close together and collaborate or inspire each other instead of
being spread out and coerced to do things more independently. We want to
encourage collaboration.
·
·
What
goals do you have for the following week?
o
We
want to further explore objects that fly in the art space. We also discussed animals’
roles in other countries and also underwater environments.
Photos of a Woodland Creature Forest Clay Adventure with Third Grade and creating a story drawing book with children in Kindergarten.
Photos of a Woodland Creature Forest Clay Adventure with Third Grade and creating a story drawing book with children in Kindergarten.
·
August 28, 2019
·
What
new trick did you learn?
o
Today
I learned how to needle felt with wool on Styrofoam
o
Warm
and cool tones of died factory-made and real sheep wool
o
Creating
beta fish
August 29, 2019
·
What
are your strengths as a teacher? What are your strengths as an artist? How can
they contribute to a successful experience in student teaching?
o
I am
very strong in relating to a child, whether that is reading them to decipher if
they are more extroverted or introverted and conversing with them to make them
feel more comfortable as that type of individual. Or knowing if they want to
collaborate with me or work on something alone.
Or realizing what they are interested in and helping to expand upon
that. I love when a student has that
moment of realization that I want to work with them as an equal and not as
their superior. When you can see and
feel that they have let down a wall with you and opened up to let you into
their mind, emotions, and energies. On the other hand, as an artist I have a
very strong aesthetic and eye for combining materials, colors, and designs into
a more cohesive piece. I am very strong
at perspective, cropping, and arrangement of my artwork, to create strong style
and theme. I use simple lines with vibrant colors. I enjoy turning something plain and used into
something new and expressive. I will combine these strengths as an educator and
an artist to continue to form those relationships with students but encourage
them to find their niche in the art-world. I will help each child to discover
what medium and aesthetic they enjoy the most but also open their eyes to other
materials and mediums that they can use in new or familiar ways. I will encourage my students to find
inspiration from their surroundings/piers/environment, their interests outside
of art, their social world, and more. My classroom will bring culture, society,
home-life, and emotions into their art.
August 30, 2019
·
Identify
three questions you have regarding any aspect of your student teaching
experience.
1.
Will
I create one large lesson plan for each grade level that I teach that includes
different units (the different class days) or should each day that I’m teaching
have a completely separate lesson plan?
2.
Will
Judy (the woman who comes into the class to observe me) have a relationship
with Teresea and be in communication with her throughout this semester or will
I be the middleman?
3.
Is this a proper way to display my weekly journal reflections ( I also take loose notes in a journal with me through out the entire day at Falk).
Photos of an Underwater Creature clay adventure. Students working together to create structures for their creatures with loose parts and clay that will be destroyed when the period ends.
Moving Forward
Kindergarten
- The mud kitchen
- Unlikely and unusual objects as art materials
- Natural resources to make art
- Art in nature
- Textures
- Collage
- Loose Parts
- Material Exploration
Third Grade
- The circus
- Fantasy
- Flying
- Mobiles
- Four Directions, 1956, Alexander Calder, Hanging mobile painted aluminium and iron wire https://www.metmuseum.org/art/collection/search/490231
- Alexander Calder Mobile Installations https://www.moma.org/calendar/exhibitions/2870/installation_images/13936
- Animals and Humans intertwine
- Performance Art
- Movement
- Kinesthetics
- Why the Circus Fascinated Modern Artists...Seurat, Matisse, Daumier,
- Alexander Calder
- Mary Beth McKenzie, Circus, 2002, 13 monotypes, acquired by the Met in 2005 and the series depicts the Big Apple Circus that came to New York in 2002
- https://www.metmuseum.org/art/collection/search/368425
- http://www.marybethmckenzie.com/circus-series.html
- Mervin Jules, Circus Clowns, 1940, Silkscreen print
- L'Estampe, Circus, 1893, color lithograph
- Utagawa Yoshikazu, Circus in Yokohama, 1864, Triptych of polychrome woodblock prints ink and color on paper
- Utagawa Masanobu, Japan, 1886, Chiarini's Circus, Three single polychrome woodblock prints
- McLoughlin Brothers, NY, A Peep at the Circus, 1887, Book Illustrations: color lithography
- Two Circus Elephants performing to a crowd by drinking and eating from a table, Colored Lithograph print, French, animals performing human acts https://library.artstor.org/#/asset/24847388;prevRouteTS=1567486587361
- The Mystery Girls and The National Museum of Women in the Arts, 1991, Mystery Girls' Circus and College of Conundrum https://library.artstor.org/#/asset/24930093;prevRouteTS=1567486751847
- Mechanical Circus https://vimeo.com/71222869
- Circus Opening https://vimeo.com/21670263
- Cinema Circus https://vimeo.com/31315987
- The Show of Shows: 100 Years of Vaudeville, Circuses, and Carnivals, Benedikt Erlingsson Director
Fifth Grade
- Layers and Sense
- Smell
- What do certain smells look like?
- Dear Data: Week 47: A Week of Smells/Scents http://www.dear-data.com/week-47-a-week-of-smells
- Sound
- Portrait of a Sound Design Artist https://vimeo.com/81750995
- Color a Sound https://vimeo.com/11606420
- Motion, Light, and Sound https://vimeo.com/64624396
- E E Cummings, Sound, 1919 https://www.metmuseum.org/art/collection/search/48353
- Music
- What does it look like?
- What sounds relate to what colors or designs?
- Making Music Modern: Design for Ear and Eye https://www.moma.org/calendar/exhibitions/1473 https://www.hollywoodsoapbox.com/review-designs-for-ear-eye-in-momas-making-music-modern/
- Touch
- Texture
- Loose Parts
- Material Exploration
- Unlikely and unusual art materials
- Size and scale




























Comments
Post a Comment